Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 1: There is little doubt that the smoke of herbs and leaves of various kinds was inhaled in this country, and in Europe generally, long before tobacco was ever heard of on this side the Atlantic. But whatever smoking of this kind took place was medicinal and not social. Many instances have been recorded of the finding of pipes resembling those used for tobacco-smoking in Elizabethan times, in positions and in circumstances which would seem to point to much greater antiquity of use than the form of the pipes supports; but some at least of these finds will not bear the interpretation which has been put upon them, and in other cases the presence of pipes could reasonably be accounted for otherwise than by associating them with the antiquity claimed for them. In any case, the entire absence of any allusions whatever to smoking in any shape or form in our pre-Elizabethan literature, or in mediæval or earlier art, is sufficient proof that from the social point of view smoking did not then exist. The inhaling of the smoke of dried herbs for medicinal purposes, whether through a pipe-shaped funnel or otherwise, had nothing in it akin to the smokingof tobacco for both individual and social pleasure, and therefore lies outside the scope of this book.
From Chapter 5: Country gentlemen smoked just as much as town mechanics and tradesmen. In 1688 Hervey, afterwards Earl of Bristol, wrote to Mr. Thomas Cullum, of Hawsted Place, desiring "to be remembered by the witty smoakers of Hawsted." A later Cullum, Sir John, published in 1784 a "History and Antiquities of Hawsted," and in describing Hawsted Place, which was rebuilt about 1570, says that there was a small apartment called the smoking-room—"a name," he says, "it acquired probably soon after it was built; and which it retained with good reason, as long as it stood." I should like to know on what authority Sir John Cullum could have made the assertion that the room was called the smoking-room from so early a date as the end of the sixteenth century. No mention in print of a smoking-room has been found for the purposes of the Oxford Dictionary earlier than 1689. In Shadwell's "Bury Fair" of that date Lady Fantast says to her husband, Mr. Oldwit, who loves to tell of his early meetings with Ben Jonson and other literary heroes of a bygone day, "While all the Beau Monde, as my daughter says, are with us in the drawing-room, you have none but ill-bred, witless drunkards with you in your smoking-room." As Mr. Oldwit himself, in another scene of the same play, says to his friends, "We'll into my smoking-room and sport about a brimmer," there was probably some excuse for his wife's remark. These country smoking-rooms were known in later days as stone-parlours, the floor being flagged for safety's sake; and the "stone-parlour" in many a squire's house was the scene of much conviviality, including, no doubt, abundant smoking.
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From Chapter 10: A striking example of the attitude of the mid-nineteenth century days towards tobacco may be found in connexion with railways and railway travelling. In the early days of such travel there were no smoking compartments, and indeed smoking was "strictly forbidden" practically everywhere on railway premises. Relics of this time may still be seen in many stations and on many platforms in the shape of somewhat dingy placards announcing that smoking is strictly forbidden, and that the penalty is so much. Nowadays the incense from pipes and cigars and cigarettes curls freely round these obsolete notices and helps to make them still dingier. If you wanted to smoke when travelling you had either to contrive to get a compartment to yourself, or to arrange terms with your fellow-travellers. In a Punch of 1855, Leech drew a railway-platform scene wherein figures one of those precocious youngsters of a type he loved to draw. A railway porter says to his mate, as the two gaze at the back of this small swell, with his cane and top-hat, "What does he say, Bill?" "Why, he says he must have a compartment to hisself, because he can't get on without his smoke!" Another drawing in a Punch of 1861 points the same moral. It represents an elderly "party" and a "fast Etonian" seated side by side in a first-class compartment. The latter has a cigar in one hand and with the other offers coins to his neighbour; the explanation is as follows: "Old Party. Really, sir,—I am the manager of the line, sir—I must inform you that if you persist in smoking, you will be fined forty shillings, sir. Fast Etonian. Well, old boy, I must have my smoke; so you may as well take your forty shillings now!"
From Chapter 13: From the evidence so far adduced it may fairly be concluded, I think, that during the seventeenth century smoking was not fashionable, or indeed anything but rare, among the women of the more well-to-do classes, while among women of humbler rank it was an occasional, and in a few districts a fairly general habit.
The same conclusion holds good for the eighteenth century. Among women of the lowest class smoking was probably common enough. In Fielding's "Amelia," a woman of the lowest character is spoken of as "smoking tobacco, drinking punch, talking obscenely and swearing and cursing"—which accomplishments are all carefully noted, because none of them would be applicable to the ordinary respectable female.
